Mark Gertler
On the edge of the City is the attractive Elder Street. Now gentrified, it was no doubt a little more down at heel in the late 19th century, when Mark Gertler lived there at number 32. My office is 5 minutes’ walk away.
On the edge of the City is the attractive Elder Street. Now gentrified, it was no doubt a little more down at heel in the late 19th century, when Mark Gertler lived there at number 32. My office is 5 minutes’ walk away.
To the Salisbury Museum to see a good show of Henry Lamb’s work. The Gallery isn’t big enough for a major retrospective, but it was a good effort. The challenge with someone like Lamb is to persuade people to come and see pictures by a painter few can [Read More…]
Martin Salisbury has produced a classic and he has been beautifully supported by the Mainstone Press. As an object alone, this book is a delight; knowing nothing about the artist, one could leaf through this production and gorge on its quality. There can be no better way to remind the art world that they diminish artists like Minton at their peril; his paintings were the tip of his iceberg and it is only when they are taken with his other work that his skills and achievements get their proper recognition. He may have had a short life as an artist, but what a marvellous range of achievements.
At Westport House in the West of Ireland this week, I saw a portrait of Mahon as a young man. He wears a suit and his OE tie. Turns out that his mother was a Browne, the family name of the Marquess of Sligo, owner of the house [Read More…]
Chris Stephens from Tate Britain took over at the Holburne last year and this exciting show is an example of how he intends to develop aspects of this Bath gallery, which is situated at the end of the extraordinary Great Pulteney Street. It is not easy to see [Read More…]
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